Inferno.
Despite falling 35 per cent, eOne's The Girl on the Train held onto the top spot over its second weekend, ringing up an additional $2.6 million to bring its cume to $8.4 million.
Next best was Sony's Inferno, the Ron Howard thriller debuting on $2.2 million from 268 screens.
Now in its third week, Fox's Miss Peregrine's Home For Peculiar Children fell 55 per cent, bringing in $965,550 to take its cume to $9.5 million.
Roadshow's Deepwater Horizon tumbled 46 per cent over its second weekend with takings of $936,150 – it now sits on $3.3 million overall.
Sony's The Magnificent Seven also took a fall – 48 per cent – to bring in $718,825. Now in its third week, the Antoine Fuqua film sits on $7.6 million.
Behind it was Roadshow's action comedy Masterminds, which debuted on $610,170 from 177 screens.
Now in its fifth week, Bridget Jones's Baby has also stalled with takings of $505,734 – a fall of 44 per cent – and now sits on $16.2 million.
The Secret Life of Pets fell 70 per cent over its sixth weekend, taking $472,809 from 292 screens. The Universal animation sits on $28.6 million overall.
Warners Bros' Storks now sits on $7.5 million after four weeks, while Roadshow's Sully sits on $12.6 million after six.
The film with the highest screen average of the week, Palace's Where Am I Going?, landed just shy of the top ten. The Italian comedy debuted on $177,154 from 13 screens; an average of $13,627.
Sony's Spin Out, still on 48 screens, sits on $674,964 after five weeks.
Transmission's Embrace, still on 14 screens, is on $257,917 after 11 weeks, and Umbrella's Girl Asleep, on 13 screens, is on $206,294 after six weeks.