'Tár' obliges its audience to sit through three minutes of opening credits. This is a big ask in the age of streaming where audiences embrace the “skip” function, arguably creating invisibility of the creative labour of the screen production, writes UTS's Alex Munt.
LA-based virtual production house NantStudios has built what is believed to be the largest permanent LED volume in the world at Docklands Studios Melbourne.
The sixth instalment in the 'Scream' franchise cut a path to the no. 1 position at the box office last weekend, knocking out 'Creed III'.
Baz Luhrmann's 'Elvis' left the building empty-handed at this year's Oscars, unable to convert any of its eight Oscar nominations.
NIDA Bachelor of Fine Arts (Costume) student Siann Lau and Mehhma Malhi, who is studying a Master of Fine Arts...
For Harry Greenwood, the best screen projects to either act in or watch have darkness backed up against humour, just like in life.
Screen Producers Australia has unveiled the finalists in the four business categories for its 2022 awards, with Ludo Studio and Werner Film Productions up for multiple gongs.
Philippa Bateman’s portrait of musicians Archie Roach and Ruby Hunter, 'Wash My Soul in the River’s Flow', and Blackfella Films’ 'The Australian Wars' took home the top prizes at the Australian International Documentary Conference Awards.