When Tim Crosbie first signed on as VFX supervisor for Guan Hu’s Chinese war epic ‘The Eight Hundred’, he had little inkling the project would end up consuming the next two and a half years of his life.
For screen content professionals
When Tim Crosbie first signed on as VFX supervisor for Guan Hu’s Chinese war epic ‘The Eight Hundred’, he had little inkling the project would end up consuming the next two and a half years of his life.
